Page 192 - Indigo Design Award 2019

OCARE
Wei-Ching Huang
University: Pratt Institute
Silver in Packaging Design; Bronze in Branding
ocare — Dental Hygiene and Oral Care Kit — Suitable products for orthodontic care. This dental hygiene kit is designed for people who wear braces. It is vital to take care of both their teeth and braces properly. Cleaning with a regular toothbrush is not enough, extra dental tools are needed. This kit can provide with suitable products for orthodontic care, show them how to use the tools in the correct order, and help people develop good oral hygiene habits. This kit is specially designed for children, I hope to create a colorful, cheerful and interesting package. This packaging draws inspiration from the concept
of Tangram. These colored puzzles are intended to allow children to feel interesting, fun, stress-free about cleaning their teeth and braces.
NEST FRAGRANCES
Sukhui Jeong
University: Savannah College of Art and Design(SCAD) Silver in Packaging Design
NEST Fragrances was founded by Laura Slatkin in 2005, continuing the legendary reputation she and her husband, Harry, earned for developing original and award-winning luxury home fragrance collections with their
first luxury home fragrance company, Slatkin & Co., which was sold to
Limited Brands, Inc., that same year. This project is a package redesign of
NEST Fragrances. I expressed the fragrances spreading from the candle and the diffuser by utilizing watercolors spreading through the water. For each fragrance, I mixed two different colors and used the effects of them spreading in the water. The front of the package shows the names of the fragrances using the illustration with lines. I designed the illustration using watercolors and lines to show the feelings of the fragrances spreading harmoniously, smoothly, and thinly.
ARCHITECTURE POSTERS
Janny Ji
University: Maryland Institute College of Art Gold in Typography; Silver in Promotional Materials
This project is a series of 12-daily architecture posters which were created within an articulated formal and conceptual framework. The prescribed constraints that I set for myself include a fixed dimension and a black-and- white color combination as the formula to interpret each architects’ structures. Typography was used as the template to capture both the architects’
names and their compositional styles. The conceptual limitations require that all posters include keywords from each architect’s philosophy and critics’ comments.
192